Rimaldas Viksraitis

Interesting commentary on the photography market in the August Art Market Insight. Prices edgine down for Nan Goldin and Andreas Gursky, with Martin Parr remaining very affordable. Parr's protege, Rimaldas Viksraitis, won the Discovery Award at July's Photo Arles. From Lithuania, Viksraitis does not seem to be widely represented -- I've tracked down very few images on the web.

Look at Me

Recently I have become interested in portraiture, especially photographic portraits. Two things have been contributing to this interest: having my portrait taken by Martin Parr last month and seeing the Karsh 100 show at the MFA, Boston. While a portrait presents information about the sitter, it also conveys information about the artist: technical skills, perspectives, and the editing of reality. There are two upcoming courses on portraiture in Boston. One is a one-week intensive course at the SMFA in March called, Identity: The Contemporary Portrait, taught by Sean Johnson. The other is a 4-week seminar at the Photographic Resource Center, Contemporary Trends in Photographic Portraiture, taught by Roswell Angier (2/17-3/10/09). If you can't do either, Roswell Angier has a book about taking photographic portraits, Train Your Gaze, available on Amazon.
I especially like portraits in which the artist inserts him/herself. Christine Rogers, a SMFA alum who is now on faculty there, did a series in which she had her photo taken with other families having their portraits taken at a commercial studio. Futoshi Miyagi did a series of photos of himself with gay men who were strangers, in their apartments (shown here). These photographers play with the ideas of insertable intimacy and the deconstruction of relationship images.

Martin Parr at the Wolfsonian

Last night as part of a benefit, several of us had the opportunity to have our portraits taken by Magnum photographer, Martin Parr, at the Wolfsonian in Miami. Martin Parr is a key figure in the world of photography, widely recognized as a brilliant satirist of contemporary life. He is the author of over 30 photography books, including Common Sense, Boring Postcards, and Think of England (the image above right is the cover of that book). His photographs have been collected by museums worldwide, including the Getty, The Museum of Modern Art and the Tate Modern. Parr was featured in Cruel and Tender, the Tate Modern's major survey of photography in 2003, and a retrospective of his work that opened at the Barbican Art Gallery in London in 2002 continues to tour major museums around the world. His most recent work, Luxury, has focused on the photography the "ostensibly wealthy of the world" and can be seen on his website: http://www.martinparr.com/.

We were expecting him to quickly snap our photos in one shot, but he spent time with each of us, directing our posture and pose ("No smiling!") and taking several shots (as many as 10-15) before he was satisfied with the image. We haven't picked up the prints yet, so we can't tell you how they look.

I first heard of Parr's work when he published his book, The Phone Book, in 2002. The book was comprised of photos from around the world of people talking on their cell phones. Although that book wasn't available on Amazon when I last checked, several other of his books are.