Showing posts with label Futoshi Miyagi. Show all posts
Showing posts with label Futoshi Miyagi. Show all posts

Thursday, March 26, 2009

You Probably Think This Blog is About You


After our friend, R, recently asked a prominent photographer if he could commission a portrait, the photographer asked him, "What do you collect?" I (half-)joked that he should have said, "Images of myself." Vanity and narcissism have always been driving forces in the production and collection of art over the ages, so why not continue in the grand tradition? Is it really so bad to be self-centered if the universe is benefiting? Isn't that actually being kind of altuistic in a way?
Anyway, you all have the opportunity to have your portrait done by an artist that I really like, Futoshi Miyagi. Miyagi completed a project entitled, Strangers, in which he photographed himself with gay men who were strangers, posing in their homes. For his latest project, You Are There in Front of Me, he is taking portraits of people he meets in internet chat rooms via web-cams (one is shown here). This extends the concept of Strangers to people that he has never even met in person, but also plays with the ideas of anonymity on the internet and loss of privacy. I like that he is capturing an electronic image, something that is transient and mundane, and turning it into something tangible, enduring, and precious- all this from accross the globe (he lives in Japan). If you are interested in having your portrait done as part of this project, you can arrange it with Miyagi at futoshi.miyagi@gmail.com.

Thursday, January 15, 2009

Look at Me



Recently I have become interested in portraiture, especially photographic portraits. Two things have been contributing to this interest: having my portrait taken by Martin Parr last month and seeing the Karsh 100 show at the MFA, Boston. While a portrait presents information about the sitter, it also conveys information about the artist: technical skills, perspectives, and the editing of reality. There are two upcoming courses on portraiture in Boston. One is a one-week intensive course at the SMFA in March called, Identity: The Contemporary Portrait, taught by Sean Johnson. The other is a 4-week seminar at the Photographic Resource Center, Contemporary Trends in Photographic Portraiture, taught by Roswell Angier (2/17-3/10/09). If you can't do either, Roswell Angier has a book about taking photographic portraits, Train Your Gaze, available on Amazon.
I especially like portraits in which the artist inserts him/herself. Christine Rogers, a SMFA alum who is now on faculty there, did a series in which she had her photo taken with other families having their portraits taken at a commercial studio. Futoshi Miyagi did a series of photos of himself with gay men who were strangers, in their apartments (shown here). These photographers play with the ideas of insertable intimacy and the deconstruction of relationship images.